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Selected Stories

Henry Lawson




  Publisher’s Preface

  This edition of Henry Lawson’s Selected Stories follows the definitive versions of those stories as they appeared in Colin Roderick’s comprehensive Henry Lawson: The Master Storyteller: Prose Writings, published by Angus & Robertson in 1984. This present selection, and readers of Lawson’s work, owe a huge debt to the late Professor Roderick’s meticulous editing and Lawson scholarship.

  The chronology of Henry Lawson’s life is an edited version of that which appeared in Henry Lawson: Twenty Short Stories and Seven Poems selected by Colin Roderick and published by Angus & Robertson in 1947.

  Sydney, 2001

  In Lawson there was a deep, enduring and genuine appreciation of the nobility in mankind that is independent of worldly fortune. He sought the good in man, and to him it was all the more precious whenever it surmounted satanic forces that might have been expected to destroy it. In Lawson’s world the heroic in man is exalted above the harshness of the bush, the grim of the slum, the pitilessness of the gaol. His work mirrors the yearning of man to refine the human condition. The integrity of his work rests on the two strong pillars of love and hope. No one has expressed Lawson’s creed, as man and as artist, more succinctly than he has himself. In 1889, at the very beginning of his career, he wrote:

  “Brotherhood and Love and Honour! is the motto for the world—”

  And five years later:

  “’Tis the hope of something better that will save us in the end.”

  Colin Roderick, 1984

  Chronology

  1866 Peter Hertzberg Larsen (later Lawson), Norwegian immigrant, marries, 7 July, at Gulgong, Louisa Albury, of Guntawang, near Mudgee.

  1867 Henry Archibald Lawson born on Grenfell diggings 17 June. His parents return to Eurunderee, near Mudgee.

  1870 Lawson’s father selects at Eurunderee.

  1871 Peter Lawson joins the rush to Gulgong.

  1872 Lawson’s first visit to Sydney.

  1873 Peter Lawson returns to Eurunderee.

  1874 Gold rush to Eurunderee.

  1875 Henry George Hanks opens a school in the vicinity of Eurunderee, which Lawson attends.

  1876 Henry and Charles Lawson enrolled, 2 October, at the newly-opened school at Eurunderee under John Tierney. Henry’s deafness begins.

  1877 Lawson’s twin sisters, Gertrude and Annette, born in April. Annette dies in December.

  1878 Peter Lawson builds the new Eurunderee school. Louisa Lawson begins publishing verse.

  1879 Lawson sent to the Roman Catholic school at Pipeclay Creek.

  1880 Lawson leaves school to assist his father as a carpenter. Correspondent for the Mudgee Independent. Stays at Granville with his grandparents while having his defective hearing investigated. Works as a carpenter.

  1881 In the Blue Mountains with his father.

  1882 Works with his father carpentering and painting at Rylstone.

  1883 Peter and Louisa Lawson separate. Henry moves with his mother to Granville and becomes apprenticed as a coach painter to Hudson Brothers, railway contractors (“Grinder Brothers”). Attends night school.

  1884 Lawson a painter in Newcastle for Hudson Brothers. Fails at clerical work. xi

  1885 In Melbourne, seeking to have his deafness cured. Works at his trade for a time.

  1886 In Sydney, unemployed.

  1887 Begins publishing verse with “The Song of the Republic” (Bulletin, December).

  1888 Louisa Lawson begins The Dawn. “Faces in the Street” (verse), and “His Father’s Mate” (prose) in the Bulletin. Goes to work painting at Mount Victoria, where he meets Arthur Parker (“Mitchell”). Takes to drink, and is sent back to Sydney. Peter Lawson dies 31 December.

  1889 In Albany, Western Australia, painting houses. On return to Sydney, joins the Republican.

  1890 Joins the staff of the Boomerang, Brisbane (“Joe Swallow”). Is represented in Archibald and Broomfield’s A Golden Shanty.

  1891 In Sydney after the failure of the Boomerang. “When Your Pants Begin to Go.” Visits Eurunderee and becomes engaged (for a few weeks) to Bridget Lambert.

  1892 Humps his bluey with Jim Grahame from Bourke to Hungerford. “Song of the Darling River.”

  1893 To New Zealand, where he works as sawmill hand and telegraph linesman.

  1894 In Sydney. Helps with the Worker. His mother issues his Short Stories in Prose and Verse. Employed as clerk in the New South Wales Government service.

  1895 In Sydney meets Bertha Marie Louise Bredt, a young nurse from Bairnsdale.

  1896 Marries Bertha Bredt, 15 April, living first in Sydney, then in Perth. In the Days when the World was Wide. Lawson works spasmodically. While the Billy Boils. Returns to Sydney.

  1897 Fred Broomfield forms the Dawn and Dusk Club. Lawson falls into convivial ways. To New Zealand, where Lawson receives an appointment as teacher in the Maori school of Maungamanunu, near Kaikoura. Joe Wilson and His Mates and On the Track and Over the Sliprails written here. Tries play-writing for Bland Holt.

  1898 Birth of his son, Jim, 11 February, at Wellington, during an earthquake. Resolves to return to Sydney. Takes up residence, first at Dulwich Hill, later, in North Sydney. Appointed a clerk in the government service, but unable to discipline himself. Spasmodic writing.

  1899 Meets Earl Beauchamp, Governor of New South Wales, and is persuaded to go to England.

  1900 His daughter, Bertha, born 11 February. The Lawsons leave for London in April. On the Track and Over the Sliprails published (Sydney). Verses. Popular and Humorous.

  1901 The Country I Come From. Joe Wilson and His Mates. Writes preface to Miles Franklin’s My Brilliant Career.

  1902 Children of the Bush (London).

  1903 Returns to Australia. Separation from Mrs Lawson, who takes up work as a saleswoman.

  1905 When I Was King, and Other Verses (reprinted from Children of the Bush).

  1907 Send Round the Hat and The Romance of the Swag (rearrangement of stores in Children of the Bush).

  1910 The Rising of the Court. With E. J. Brady at Mallacoota Inlet.

  1911 A Coronation Ode and Retrospect.

  1913 For Australia and Other Poems.

  1914 Living a restless life in Sydney.

  1915 Writes the preface to C. J. Dennis’s The Songs of a Sentimental Bloke, September. My Army, O, My Army!

  1916 January. Is placed on a farm in the Yanco Irrigation Area, at Leeton.

  1917 Leaves Leeton in November.

  1918 Percy Leason, Selected Poems of Henry Lawson, with preface by David McKee Wright. 1919 Writes preface to Vance Marshall’s The World of the Living Dead.

  1920 Seriously ill. Death of Lawson’s mother.

  1921 In Coast Hospital.

  1922 Death on 2 September, at Abbotsford, Sydney. State funeral.

  Table of Contents

  Cover Page

  Publisher's Preface

  Epigraph

  Chronology

  From While The Billy Boils-First Series

  An Old Mate of Your Father's

  Settling on the Land

  Stiffner and Jim (Thirdly, Bill)

  When the Sun Went Down

  Hungerford

  A Camp-fire Yarn

  His Country-After All

  A Day on a Selection

  That There Dog O'Mine

  Going Blind

  Arvie Aspinall's Alarm Clock

  The Union Buries Its Dead

  On the Edge of a Plain

  In A Dry Season

  Another of Mitchell's Plans for the Future

  Shooting the Moon

  His Father's Mate

  "Some Day"

  From While The Billy Boils-Second Series

  The Drover's Wife

  Steelm
an's Pupil

  His Colonial Oath

  A Visit of Condolence

  In A Wet Season

  "Rats"

  Mitchell: a Character Sketch

  The Bush Undertaker

  Our Pipes

  Two Dogs and a Fence

  Jones's Alley

  Bogg of Geebung

  The Geological Spieler

  From On The Track

  The Songs They Used to Sing

  A Vision of Sandy Blight

  The Songs They Used to Sing

  The Mystery of Dave Regan

  Bill, The Ventriloquial Rooster

  Mr Smellingscheck

  An Oversight of Steelman's

  How Steelman Told His Story

  From Over The Sliprails

  The Shanty-keeper's Wife

  A Gentleman Sharper and Steelman Sharper

  An Incident at Stiffner's

  The Hero of Redclay

  The Darling River

  The Selector's Daughter

  The Story of the Oracle

  From Joe Wilson

  Joe Wilson's Courtship

  Brighten's Sister-in-Law

  "Water Them Geraniums'

  A Double Buggy at Lahey's Creek

  From Joe Wilson's Mates

  The Golden Graveyard

  The Loaded Dog

  A Wild Irishman

  The Babies in the Bush

  A Bush Dance

  Telling Mrs Baker

  The Little World Left Behind

  From The Romance Of The Swag

  The Romance of the Swag

  "Buckolts' Gate"

  "Shall We Gather at the River?"

  Send Round the Hat

  That Pretty Girl in the Army

  "Lord Douglas"

  The Blindness of One-eyed Bogan

  The Shearer's Dream

  From Elder Man's Lane

  Johnson's Jag

  A Child in the Dark, and a Foreign Father

  Index

  About the Author

  Other books by

  Copyright

  About the Publisher

  FROM WHILE THE BILLY BOILS—FIRST SERIES

  An Old Mate of Your Father’s

  YOU remember when we hurried home from the old bush school how we were sometimes startled by a bearded apparition, who smiled kindly down on us, and whom our mother introduced, as we raked off our hats, as, “An old mate of your father’s on the diggings, Johnny”. And he would pat our heads and say we were fine boys, or girls—as the case may have been—and that we had our father’s nose but our mother’s eyes, or the other way about; and say that the baby was the dead spit of its mother, and then add, for father’s benefit: “But yet he’s like you, Tom”. It did seem strange to the children to hear him address the old man by his Christian name—considering that the mother always referred to him as “Father”. She called the old mate Mr So-and-so, and father called him Bill, or something to that effect.

  Occasionally the old mate would come dressed in the latest city fashion, and at other times in a new suit of reach-me-downs, and yet again he would turn up in clean white moleskins, washed tweed coat, Crimean shirt, blucher boots, soft felt hat, with a fresh-looking speckled handkerchief round his neck. But his face was mostly round and brown and jolly, his hands were always horny, and his beard grey. Sometimes he might have seemed strange and uncouth to us at first, but the old man never appeared the least surprised at anything he said or did—they understood each other so well—and we would soon take to this relic of our father’s past, who would have fruit or lollies for us—strange that he always remembered them—and would surreptitiously slip “shilluns” into our dirty little hands, and tell us stories about the old days, “when me an’ yer father was on the diggin’s, an’ you wasn’t thought of, my boy.”

  Sometimes the old mate would stay over Sunday, and in the forenoon or after dinner he and father would take a walk amongst the deserted shafts of Sapling Gully or along Quartz Ridge, and criticise old ground, and talk of past diggers’ mistakes, and second bottoms, and feelers, and dips, and leads—also outcrops—and absently pick up pieces of quartz and slate, rub them on their sleeves, look at them in an abstracted manner, and drop them again; and they would talk of some old lead they had worked on: “Hogan’s party was here on one side of us, Macintosh was here on the other. Mac was getting good gold and so was Hogan, and now, why the blanky blank weren’t we on gold?” And the mate would always agree that there was “gold in them ridges and gullies yet, if a man only had the money behind him to git at it.” And then perhaps the guv’nor would show him a spot where he intended to put down a shaft some day—the old man was always thinking of putting down a shaft. And these two old ’Fifty-Niners would mooch round and sit on their heels on the sunny mullock heaps and break clay lumps between their hands, and lay plans for the putting down of shafts, and smoke, till an urchin was sent to “look for his father and Mr So-and-so, and tell ’em to come to their dinner.”

  And again—mostly in the fresh of the morning—they would hang about the fences on the selection and review the live stock: five dusty skeletons of cows, a hollow-sided calf or two, and one shocking piece of equine scenery—which, by the way, the old mate always praised. But the selector’s heart was not in farming nor on selections—it was far away with the last new rush in West Australia or Queensland, or perhaps buried in the worked-out ground of Tambaroora, Married Man’s Creek, or Aralven; and by-and-by the memory of some half-forgotten reef or lead or “Last Chance”, “Nil Desperandum”, or “Brown Snake” claim would take their thoughts far back and away from the dusty patch of sods and struggling sprouts called the crop, or the few discouraged, half-dead slips which comprised the orchard. Then their conversation would be pointed with many Golden Points, Bakery Hills, Deep Creeks, Maitland Bars, Specimen Flats, and Chinamen’s Gullies. And so they’d yarn till the youngster came to tell them that “Mother sez the breakfus is gettin’ cold,” and then the old mate would rouse himself and stretch and say, “Well, we mustn’t keep the missus waitin’, Tom!”

  And, after tea, they would sit on a log of the wood-heap, or the edge of the verandah—that is, in warm weather—and yarn about Ballarat and Bendigo—of the days when we spoke of being “on” a place oftener than “at” it: on Ballarat, on Gulgong, on Lambing Flat, on Creswick—and they would use the definite article before the names, as: “on the Turon; The Lachlan; The Home Rule; The Canadian Lead”. Then again they’d yarn of old mates, such as Tom Brook, Jack Henright, and poor Martin Ratcliffe—who was killed in his golden hole—and of other men whom they didn’t seem to have known much about, and who went by the names of “Adelaide Adolphus”, “Corney George”, and other names which might have been more or less applicable.

  And sometimes they’d get talking, low and mysterious like, about “Th’ Eureka Stockade”, and if we didn’t understand and asked questions, “What was the Eureka Stockade?” or “What did they do it for?” father’d say: “Now, run away, sonny, and don’t bother; me and Mr So-and-so want to talk.” Father had the mark of a hole on his leg, which he said he got through a gun accident when a boy, and a scar on his side, that we saw when he was in swimming with us; he said he got that in an accident in a quartzcrushing machine. Mr So-and-so had a big scar on the side of his forehead that was caused by a pick accidentally slipping out of a loop in the rope, and falling down a shaft where he was working. But how was it they talked low, and their eyes brightened up, and they didn’t look at each other, but away over sunset, and had to get up and walk about, and take a stroll in the cool of the evening when they talked about Eureka?

  And, again they’d talk lower and more mysterious like, and perhaps mother would be passing the wood-heap and catch a word, and ask:

  “Who was she, Tom?”

  And Tom—father—would say:

  “Oh, you didn’t know her, Mary; she belonged to a family Bill knew at home.”

  And Bill would look solemn till moth
er had gone, and then they would smile a quiet smile, and stretch and say, “Ah, well!” and start something else.

  They had yarns for the fireside, too, some of those old mates of our father’s, and one of them would often tell how a girl—a queen of the diggings—was married, and had her wedding-ring made out of the gold of that field; and how the diggers weighed their gold with the new wedding-ring—for luck—by hanging the ring on the hook of the scales and attaching their chamois-leather gold bags to it (whereupon she boasted that four hundred ounces of the precious metal passed through her wedding-ring); and how they lowered the young bride, blindfolded, down a golden hole in a big bucket, and got her to point out the drive from which the gold came that her ring was made of. The point of this story seems to have been lost—or else we forgot it—but it was characteristic. Had the girl been lowered down a duffer, and asked to point out the way to the gold, and had she done so successfully, there would have been some sense in it.

  And they would talk of King, and Maggie Oliver, and G. V. Brooke, and others, and remember how the diggers went five miles out to meet the coach that brought the girl actress, and took the horses out and brought her in in triumph, and worshipped her, and sent her off in glory, and threw nuggets into her lap. And how she stood upon the box-seat and tore her sailor hat to pieces, and threw the fragments amongst the crowd; and how the diggers fought for the bits and thrust them inside their shirt bosoms; and how she broke down and cried, and could in her turn have worshipped those men—loved them, every one. They were boys all, and gentlemen all. There were college men, artists, poets, musicians, journalists—Bohemians all. Men from all the lands and one. They understood art—and poverty was dead.

  And perhaps the old mate would say slyly, but with a sad, quiet smile:

  “Have you got that bit of straw yet, Tom?”

  Those old mates had each three pasts behind them. The two they told each other when they became mates, and the one they had shared.

  And when the visitor had gone by the coach we noticed that the old man would smoke a lot, and think as much, and take great interest in the fire, and be a trifle irritable perhaps.