The seventh and final installment of Stephen King's The Dark Tower saga is perhaps the most anticipated book in the author's long career. King began this epic tale about the last gunslinger in the world more than 20 years ago; now he draws its suspenseful story to a close, snapping together the last pieces of his action puzzle and drawing Roland Deschain ever closer to his ultimate goal.

There is one woman who is all that stands between us and the eternal night. Here is an account of her legend. . . Minion All Damali Richards ever wanted to do was create music and bring it to the people. Now she is a spoken word artist and the top act for Warriors of Light Records. But come nightfall, she hunts vampires and demons - predators that people tend to dismiss as myth or fantasy. Damali and her Guardian team cannot afford such delusions, especially now, when a group of rogue vampires has been killing the artists of Warriors of Light and their rival, Blood Music. When strange attacks erupt within the club drug-trafficking network and draw the attention of the police, Damali realizes these killings are a bit out of the ordinary, even for vampires. Instead of neat puncture marks in the neck showing where the blood has been drained from the body, these corpses are mutilated beyond recognition, indicating a blood lust and thirst for destruction that surpasses any Damali has encountered before. Soon she discovers that behind these brutal murders is the most powerful vampire Damali has ever met - a seductive beast who is coming for her next. . .

Susan Harris lived in self-imposed seclusion, in a mansion featuring numerous automated systems controlled by a state-of-the-art computer. Every comfort was provided, and in this often unsafe world of ours, her security was absolute. But now her security system has been breached, her sanctuary from the outside world violated by an insidious artificial intelligence, which has taken control of her house. In the privacy of her own home, and against her will, Susan will experience an inconceivable act of terror. She will become the object of the ultimate computer's consuming obsession: to learn everything there is to know about the flesh. . .

From the author of the extraordinary Vampire Chronicles comes a huge, hypnotic novel of witchcraft and the occult through four centuries. Demonstrating, once again, her gift for spellbinding storytelling and the creation of legend, Anne Rice makes real for us a great dynasty of witches--a family given to poetry and to incest, to murder and to philosophy; a family that, over the ages, is itself haunted by a powerful, dangerous, and seductive being. On the veranda of a great New Orleans house, now faded, a mute and fragile woman sits rocking . . . and **The Witching Hour** begins. It begins in our time with a rescue at sea.  Rowan Mayfair, a beautiful woman, a brilliant practitioner of neurosurgery--aware that she has special powers but unaware that she comes from an ancient line of witches--finds the drowned body of a man off the coast of California and brings him to life.  He is Michael Curry, who was born in New Orleans and orphaned in childhood by fire on Christmas Eve, who pulled himself up from poverty, and who now, in his brief interval of death, has acquired a sensory power that mystifies and frightens him. As these two, fiercely drawn to each other, fall in love and--in passionate alliance--set out to solve the mystery of *her* past and *his* unwelcome gift, the novel moves backward and forward in time from today's New Orleans and San Francisco to long-ago Amsterdam and a château in the France of Louis XIV.  An intricate tale of evil unfolds--an evil unleashed in seventeenth-century Scotland, where the first "witch," Suzanne of the Mayfair, conjures up the spirit she names Lasher . . . a creation that spells her own destruction and torments each of her descendants in turn. From the coffee plantations of Port au Prince, where the great Mayfair fortune is made and the legacy of their dark power is almost destroyed, to Civil War New Orleans, as Julien--the clan's only male to be endowed with occult powers--provides for the dynasty its foothold in America, the dark, luminous story encompasses dramas of seduction and death, episodes of tenderness and healing.  And always--through peril and escape, tension and release--there swirl around us the echoes of eternal war: innocence versus the corruption of the spirit, sanity against madness, life against death.  With a dreamlike power, the novel draws us, through circuitous, twilight paths, to the present and Rowan's increasingly inspired and risky moves in the merciless game that binds her to her heritage. And in New Orleans, on Christmas Eve, this strangest of family sagas is brought to its startling climax. *From the Hardcover edition.*

Sometimes you have to lose yourself to find where you truly belong . . . Most girls would kill to spend months traveling around Europe after college graduation with no responsibility, no parents, and no-limit credit cards. Kelsey Summers is no exception. She's having the time of her life . . . or that's what she keeps telling herself. It's a lonely business trying to find out who you are, especially when you're afraid you won't like what you discover. No amount of drinking or dancing can chase away Kelsey's loneliness, but maybe Jackson Hunt can. After a few chance meetings, he convinces her to take a journey of adventure instead of alcohol. With each new city and experience, Kelsey's mind becomes a little clearer and her heart a little less hers. Jackson helps her unravel her own dreams and desires. But the more she learns about herself, the more Kelsey realizes how little she knows about Jackson.

Ghost story master Mary Downing Hahn unrolls the suspenseful, spine-chilling yarn of a girl imprisoned for more than a century, the terrifying events that put her there, and a friendship that crosses the boundary between past and present. A family moves into an old, abandoned house. Jules's parents love the house, but Jules is frightened and feels a sense of foreboding. When she sees a pale face in an upstairs window, though, she can't stop wondering about the eerie presence on the top floor—in a room with a locked door. Could it be someone who lived in the house a century earlier? Her fear replaced by fascination, Jules is determined to make contact with the mysterious figure and help unlock the door. Past and present intersect as she and her ghostly friend discover—and change—the fate of the family who lived in the house all those many years ago.

Natalie has watched as the zombie plague devastated civilization.Angus had been a miracle. Twenty-three years old and gorgeous he had appeared like Romeo from the pool area and thrown supplies up to her balcony. But now Angus is gone – he has abandoned her, which is probably for the best. She couldn't stand to watch him die too.Stranded four floors up and fenced in on all sides by the infected, food and water supplies are running as low as Natalie's spirits. A lingering death from starvation seems inevitable.But then she sees Angus striding for the pool gate with a sawn-off shotgun in his hands. Can he make it past the infected to reach her? And what will it mean if he does?This story is rated "Hot" (4 out of 5 flames) and contains F/M pairings.

He was clinically dead after the accident—but was miraculously revived. Now Hatch Harrison and his wife approach each day with a new appreciation for life. But something has come back with Hatch from the other side. A terrible presence that links his mind to a psychotic's, so that a force of murderous rage courses through him.

In one of the most dazzling books of his celebrated career, Dean Koontz delivers a masterwork of page-turning suspense that surpasses even his own inimitable reputation as a chronicler of our worst fears-and best dreams. In The Taking he tells the story of a community cut off from a world under siege, and the terrifying battle for survival waged by a young couple and their neighbors as familiar streets become fog-shrouded death traps. Gripping, heartbreaking, and triumphant in the face of mankind's darkest hour, here is a small-town slice-of-doomsday thriller that strikes to the core of each of us to ask: What would you do in the midst of The Taking.

Jimmy Tock comes into the world on the very night his grandfather leaves it. As a violent storm rages outside the hospital, Rudy Tock spends long hours walking the corridors between the expectant fathers' waiting room and his dying father's bedside. It's a strange vigil made all the stranger when, at the very height of the storm's fury, Josef Tock suddenly sits up in bed and speaks coherently for the frist and last time since his stroke. What he says before he dies is that there will be five dark days in the life of his grandson—five dates whose terrible events Jimmy will have to prepare himself to face. The first is to occur in his twentieth year; the second in his twent-third year; the third in his twenty-eighth; the fourth in his twenty-ninth; the fifth in his thirtieth. Rudy is all too ready to discount his father's last words as a dying man's delusional rambling. But then he discovers that Josef also predicted the time of his grandson's birth to the minute, as well as his exact height and weight, and the fact that Jimmy would be born with syndactyly—the unexplained anomal of fused digits—on his left foot. Suddenly the old man's predictions take on a chilling significance. What terrifying events await Jimmy on these five dark days? What nightmares will he face? What challenges must he survive? As the novel unfolds, picking up Jimmy's story at each of these crisis points, the path he must follow will defy every expectation. And with each crisis he faces, he will move closer to a fate he could never have imagined. For who Jimmy Tock is and what he must accomplish on the five days when his world turns is a mystery as dangerous as it is wondrous—a struggle against an evil so dark and pervasive, only the most extraordinary of human spirits can shine through. From the Hardcover edition.

First published in 1967 and re-issued in 1983, I Have No Mouth and I Must Scream contains seven stories with copyrights ranging from 1958 through 1967. This edition contains the original introduction by Theodore Sturgeon and the original foreword by Harlan Ellison, along with a brief update comment by Ellison that was added in the 1983 edition. Among Ellison's more famous stories, two consistently noted as among his very best ever are the title story and the volume's concluding one, Pretty Maggie Moneyeyes. Since Ellison himself strongly resists categorization of his work, we won't call them science fiction, or SF, or speculative fiction or horror or anything else except compelling reading experiences that are sui generis. They could only have been written by Harlan Ellison and they are incomparably original. CONTENT "I Have No Mouth & I Must Scream" "Big Sam Was My Friend" "Eyes of Dust" "World of the Myth" "Lonelyache" "Delusion for Dragonslayer" "Pretty Maggie Moneyeyes"

It's a fear more paralyzing than falling. More terrifying than darkness. More horrifying than anything you can imagine. It's the one fear you cannot escape, no matter where you run . . . no matter where you hide. It's the fear of yourself. It's real. It can happen to you. And facing it can be deadly. "Fear for your mind".

NEW YORK TIMES BESTSELLER   On the road, on a hot Arizona night, Dylan O’Conner is overpowered by a stranger who injects him with an unknown substance. All he’s told is that he’s the “carrier,” not of a disease but of something wondrous that will transform his life in remarkable ways—if it doesn’t kill him in the next twenty-four hours. Now Dylan, his autistic brother, Shep, and another “carrier,” a young woman, are swept into a desperate search for the shattering truth of what they are and what they might become. But first they must elude those sent to destroy them. Their only chance to survive is to discover the meaning of the messages that Shep, with precious time running out, begins to repeat, about a man who does his work by the light of the moon.

New to Pocket Books' Stephen King backlist--the short story collection containing the story "Dolan's Cadillac," soon to be released as a feature film starring Christian Slater and Wes Bentley.With numerous unforgettable movies based on his short stories--including Shawshank Redemption, 1408, and The Green Mile--readers will be delighted to rediscover this classic collection, also released as a television mini-series and on DVD. Featuring twenty short horror stories, a television script, an essay, and a poem, Nightmares and Dreamscapes contains unique and chilling plots including everything from dead rock star zombies to evil toys seeking murderous revenge. It will be treasured by King fans new and old.