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Empress of All Seasons

Emiko Jean




  Contents

  * * *

  Title Page

  Contents

  Copyright

  Dedication

  Prologue

  Part I:

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  The First Empress

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Part II

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Eoku

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Aiko

  Chapter 28

  Chapter 29

  Chapter 30

  Chapter 31

  Umiko

  Chapter 32

  Chapter 33

  Part III

  Sugita

  Chapter 34

  Chapter 35

  Chapter 36

  Chapter 37

  Chapter 38

  Chapter 39

  Chapter 40

  Chapter 41

  Chapter 42

  Chapter 43

  Chapter 44

  Chapter 45

  Chapter 46

  Chapter 47

  Chapter 48

  Chapter 49

  Chapter 50

  Chapter 51

  Chapter 52

  Chapter 53

  Chapter 54

  Chapter 55

  Chapter 56

  The Last Empress

  Glossary

  Acknowledgments

  Savage Isle

  Buy the Book

  More Books from HMH Teen

  About the Author

  Connect with HMH on Social Media

  Copyright © 2018 by Emiko Jean

  All rights reserved. For information about permission to reproduce selections from this book, write to [email protected] or to Permissions, Houghton Mifflin Harcourt Publishing Company, 3 Park Avenue, 19th Floor, New York, New York 10016.

  hmhco.com

  Cover photographs © Universal History Archive/Getty Images (naginata); okui/Shutterstock (floral); Katsumi Murouchi/Getty Images (background)

  Cover design by Belle & Bird Design

  The Library of Congress has cataloged the print edition as follows:

  Names: Jean, Emiko, author.

  Title: Empress of all seasons / Emiko Jean.

  Description: Boston ; New York : HMH Books for Young Readers, 2018. | Summary: During a once-in-a-generation competition to find the new empress, Mari, who hides a terrible secret, Taro, the prince who would denounce the imperial throne, and Akira, a half-human outcast, will decide the fate of Honoku.

  Identifiers: LCCN 2018007165 | ISBN 9780544530942 (hardback)

  Subjects: | CYAC: Fantasy.

  Classification: LCC PZ7.1.J43 Emp 2018 | DDC [Fic—dc23]

  LC record available at https://lccn.loc.gov/2018007165

  eISBN 978-1-328-53061-5

  v1.1018

  To Yumi and Kenzo,

  you’re all my wishes come true.

  And to Erin,

  thanks for asking me: have you ever thought about writing a Japanese-inspired fantasy?

  In the beginning, dark water flooded the earth.

  Kita, the Goddess of Land and Rice, built a staircase out of lightning and stepped down from the sky.

  She dipped her nimble fingers into the black oceans and sculpted from the rocky depths the lands of Honoku. From her body, she made the terrain. Her eyelashes became forests, dense with trees. Her tears of joy became the oceans, rough with salt. Her breath became the desert, hot with sand. And with her fingernails, she created an impassable mountain range, one of extraordinary danger and height.

  Delighted by her cleverness, she bragged to her fellow gods and goddesses.

  Sugita, her brother, God of Children, Fortune, and Love, perpetually prone to jealousy, refused to be overshadowed. From the land, he gathered clay and molded figures.

  The first were yōkai.

  Sugita’s imagination ran wild, and he fashioned these spirits, monsters, and demons, these otherworldly creatures, with blue, white, and yellow skin. Some he fashioned with horns; some without. Some he locked forever in childhood. To others he gave two mouths or fifteen fingers, long necks, ten hundred eyes, or shriveled heads. The yōkai were as limitless as the magic within them.

  The second were human.

  These he made in his own image, relatively uniform in appearance, with ten fingers and ten toes, each with a single mouth, and with hair upon their heads. Soon enough, Sugita recognized the weakness in his design. He had given yōkai vast powers, whereas he had given the humans none. So he gifted the latter with a second language—curses that may be spoken or written to ward off the yōkai, strip them of their powers. In this way, a balance might be established.

  And to all—yōkai and human alike—he bestowed a mortal heart.

  Finally, he took the human that bore him the strongest resemblance and set him upon the most fertile land. He touched the human’s brow with his thumb and drew a smudge between his eyebrows. All would know that he was favored by the gods and goddesses. So it was.

  The human was called Emperor.

  Sovereign. Blessed.

  Ruler of the land.

  Part I:

  One inch forward is darkness.

  —Proverb

  Chapter 1

  Mari

  Breathing in the dark, and not her own.

  Mari tilted her head. She couldn’t see in the pitch-black, but she closed her eyes. It helped her focus. She knew this space well, this room with no windows and an almost airtight door. Sometimes the musty smell invaded her dreams, morphed them into nightmares. The Killing Room, and Mari was executioner.

  She inhaled, holding the stale air in her lungs. There, in the right corner, two feet away, someone waited. Afraid.

  Mari stepped forward, the floorboards creaking under her weight.

  “P-p-please,” a high-pitched male voice wailed.

  “I’m not going to hurt you,” she said, letting a note of reassurance enter her voice. Not yet, anyway. She probed the wall. Her fingers brushed against a wooden ledge, then paper pulled tight over a bamboo frame. Matches rested next to the lamp. She struck one and lit the cotton wick, illuminating the room in a soft glow. The scent of rapeseed oil crept through the air. When her eyes refocused, she saw that the man was dressed in hakama pants and a surcoat. Samurai garb. The uniform of the military elite.

  “Gods and goddesses,” he said, mouth lifting into a sneer, “I thought you were one of them. Why, you’re no taller than a sapling! What happened, little girl, did you lose your mommy?”

  Mari regretted her paltry effort to comfort him. That’s what you get for being nice. Men. They always underestimated her.

  Opposite the man, a variety of weapons leaned in the corner: a sickle and chain, a bow and arrow, a nunchaku . . . Mari gestured toward them. “Choose.” She liked to give the men a fighting chance. I’m sporting that way.

  The samurai huffed. “You don’t know what you ask, little girl. I trained at the Palace of Illusions with the shōgun himself.”

  Mari clenched her teeth. This was growing tedious. “I said, choose your weapon.”

  The samurai strolled to the corner. He rifled through the weapons
and selected a katana and a wakizashi.

  Predictable. The long and short swords were samurai weapons. Her opponent brandished them, sharp-edged steel blades glittering in the lamplight.

  Mari sauntered to the corner and quickly chose her own instrument. Always the same. The naginata. The reaping sword was a long bamboo pole culminating in a wicked curved blade. Thought to be a woman’s weapon, none of her opponents ever selected it. It was the only weapon Mari knew how to wield. “If you train on all weapons, you will master none,” her mother always said.

  Mari stamped the naginata on the ground. Dust billowed around the hem of her navy kimono. “I’m very sorry, but from this moment, you’re dead,” she said, unsheathing the blade.

  The samurai laughed, the sound robust and biting.

  Mari cut his chortle short. She dipped into a crouch, letting the pole end of the naginata swing out in an arc, clipping the back of the samurai’s knees.

  He collapsed with a loud thud. Mari winced. The big ones always fall the hardest.

  “That was a mistake,” he said, clambering to his feet. He crossed the swords in front of him, a dangerous glint in his eye.

  At least he’s taking me seriously now. “No,” Mari corrected. “That was intentional.”

  The samurai rushed her, and she followed suit. The blade end of her naginata clashed against his big sword. Sparks flew.

  The samurai jabbed with the smaller sword, and Mari dodged. A hairsbreadth from being impaled. That was too close. Her pulse quickened with fear and excitement. This samurai is well-trained. Before the samurai could pull back, Mari began twisting the naginata, catching both of his weapons in the windmill. Forced to let go, the samurai dropped his swords, which scattered to the ground, a few feet away. Well-trained, but not as well-trained as I.

  She couldn’t allow him time to take a breath, to reach for his weapons. End this. She snap-kicked, her right foot connecting with his abdomen. The samurai grunted and doubled over. He clutched his stomach as he tipped to the ground.

  She stood over him, breath ragged, victory sealed. Warmth radiated through her body. She felt the beast rise within her, felt her brown eyes dissolve into twin black abysses. Her hands flexed as muscles spasmed and bones popped. Her fingernails grew into black pointed talons. The skin on the back of her hands bloomed with leathery, charcoal-colored scales as tough and thick as a rhinoceros hide. She ignored the agony of transformation. She had trained herself to shut it out.

  The samurai stared, horror-struck.

  She knew she looked hideous—still part human, but with the eyes and hands of a monster. She brought her face close to the samurai’s, and when she spoke, her voice came out as a rasp. “You were right after all. I am one of them.”

  Chapter 2

  Taro

  Taro rubbed the mark between his eyebrows, where pain blossomed. For someone chosen by gods and goddesses, he’d certainly suffered his fair share of ailments during his seventeen years of life.

  The ache between his eyebrows pulsed, beating in time with the hive of activity surrounding him. In the Main Hall, servants bustled, scrubbing the zelkova floor on hands and knees, dusting the rafters with peacock feathers, polishing the four sets of statuesque doors, one for each season. Preparations for the competition had begun weeks ago.

  Most days, the commotion was enough to grate on Taro’s nerves, a reminder that his hard-won solitude would soon end. But today, that was not what annoyed him. Today it was a disturbance so great that he’d heard it from inside his workroom, clear on the other side of the palace.

  His features darkened at the spectacle before him. Two imperial samurai, clad in black lacquered armor, dragged a screaming kappa into the Hall. A muscle ticked in Taro’s jaw at the sound of nails scraping across metal. The kappa’s green webbed feet left a trail of slimy, muddy water on the high-glossed floor. A servant girl who had just finished cleaning it gasped and skittered off, vacating the space with the rest of the workers.

  Behind the kappa trailed a retinue of priests. Their dove-gray robes brushed the ground, their steps careful and measured. Their voices were synced as they chanted curses in a song so beautiful, it made humans weep.

  Unfortunately for the prisoner, the words were earsplitting to kappa, indeed to all yōkai. Chains, shackles, and wooden cages were unnecessary. The priests’ chants kept the kappa locked tight in an invisible torture chamber.

  Smaller than a human child, with a turtle-like shell on his back and an orange beak protruding playfully from his feathered face, the kappa didn’t appear to be a threat. He was sweet-looking. Cute. Seemingly benign.

  Things are rarely as they appear. Taro knew this to be true. He lived in the Palace of Illusions, after all. He also knew that kappa were notorious for their strength, possessing five times that of a human man, and for their love of entrails, usually harvested from live victims. Taro placed a hand over his stomach. No wonder the servants fled the Hall.

  The kappa’s screams ceased, quieting to a coo. The language he spoke was unintelligible to humans, but Taro recognized the plaintive tone of his voice. The kappa pleads for his life. As they passed, the samurai and priests bowed to the emperor’s son. Taro inclined his head, the barest hint of recognition.

  The entourage slowed at a set of mahogany and cypress doors. A bar, made from the trunk of a thousand-year-old oak tree, rested across, blocking what was inside from getting out. A relief of a mountain covered in gleaming snow was carved into the wood.

  The Winter Room. As with each of the Seasonal Rooms, it could be used for pleasure, or for pain.

  Today, it is pain.

  A sick feeling took root in Taro’s gut, but his countenance remained stoic. He was good at wearing masks. His favorite was a formidable expression. He used it often. So often that sometimes he forgot who lay beneath.

  The samurai dumped the kappa just outside the Winter Room doors. The creature whimpered, its spindly limbs curling in like a dried leaf. Unwilling to watch, Taro flicked his gaze to the tattooed priests. Cobalt ink covered their bodies. Even their faces were permanently branded with swirling, calligraphed curses. If a yōkai touched a priest’s skin, it would burn.

  Grunting, the samurai lifted the oak bar, then stepped back, the heavy wood weighing down their shoulders. The doors sprang open. Snow flurries escaped, melting in the warmth of the Main Hall. Icy air brushed Taro’s cheeks, and his lips twitched. From the depths of the room, he thought he heard the echo of his long-gone laughter. As a child, he’d played in the snowfields and hidden in the Ice Forest. Now only death walked there.

  Footsteps echoed behind him. The priests and samurai sank to the ground. Stillness descended, punctuated by the low hum of the priests’ chants. Only one man commanded such a reception. Taro’s father, the emperor, divine ruler of humans and yōkai, Heavenly Sovereign, paused beside him. Heat rose on Taro’s neck as his father’s shoulder brushed his.

  They were the same height now, almost mirror images of each other, except for the fine lines of aging that had settled around the emperor’s mouth and eyes. Their broad shoulders swathed in purple robes cut imposing figures. Their hair was shaved on both sides but left long on top and pulled into knots. On their left hips, they wore the long and short swords, a nod to their samurai training. It was not enough to be chosen by gods. Ruling an empire required strength and force, the fierceness of a dragon. Traits Taro had always lacked. Until now.

  Born prematurely, Taro had been a sickly child, small and given to coughing fits. In the last two years, he’d undergone a semi-metamorphosis, shedding his frailty. His lungs had cleared, and his muscles had thickened, his build now as massive as a bear’s. Sometimes when he gazed at his hands, he didn’t recognize them, the blunt strength in his fingertips, the power of his grip.

  Taro kept his eyes forward as the emperor cast him a searching glance. If his spine straightened any more, it might snap. His father studied Taro often, now that he’d grown.

  “Father,” Taro said in a
monotone.

  “Son,” the emperor replied. The emperor’s voice always made Taro think of rusted iron—cold, hard, crusted, useless. “I thought you would be off playing in your workroom.” Taro swallowed against the bite of his father’s tone. The emperor had very definitive views on what made a man. Men did not cry. Men were not small. Men sought power and dominion. Taro spent most days avoiding his father.

  The emperor’s driving purpose was to rid the East Lands of yōkai. Taro craved privacy, quiet spaces where he could invent things. If I didn’t know better, I’d think you were made up entirely of gears and springs, his childhood nurse had often commented. The emperor certainly never understood his son’s passion for engineering. Rumors swirled that there was a time when the emperor had been softer, that he had loved deeply and without judgment. If this was once the case, Taro had never witnessed it. And as for Taro, he knew what the servants and courtiers whispered about him. The Cold Prince. More metal than human. A man without a heart. Perhaps this was true.

  “I heard the commotion.” Taro didn’t bother to hide his annoyance. A muscle rippled along his jaw.

  “We caught a kappa in the moat,” said the emperor.

  Taro expelled a breath. The kappa must have been starving to risk coming so close to the palace.

  His father arched a single silver brow. “Unbelievable, isn’t it?” The emperor waved an impatient hand and spoke loudly. “Enough.”

  The chanting ceased.

  The kappa stilled. His eyes—black, wounded, beseeching—rested on the emperor.

  “His odor is offensive,” the emperor intoned. The Main Hall did smell like fish and pond water. The emperor jerked his chin. “Throw him in the Winter Room.”

  Kappa may not understand human words, but this one clearly comprehended a death sentence. The kappa’s eyes sharpened into resolute points. The creature opened its beak, screamed, and shoved the samurai.

  For one glorious moment, the imperial guards were airborne, their bodies graceful arcs, hyperextended in space, and Taro marveled at the small yōkai’s strength. The samurai crashed into the wall with a dull clunk, slumped and dazed.