Bellman & black, p.1
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       Bellman & Black, p.1

           Diane Setterfield
Bellman & Black

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  For my parents, Pauline and Jeffrey Setterfield, who, amongst other things, have taught me everything I needed to know about catapults.

  You will have seen rooks.

  Don’t be put off by any sense of familiarity.

  Rooks are enveloped in a glorious sky-cloak of mystery.

  They’re not what you think they are.


  I have heard it said, by those that cannot possibly know, that in the final moments of a man’s existence he sees his whole life pass before his eyes. If that were so, a cynic might assume William Bellman’s last moments to have been spent contemplating anew the lengthy series of calculations, contracts, and business deals that made up his existence. In fact, as he approached the border with that other place—border toward which we will all find our path turning sooner or later—his thoughts were drawn to those who had already crossed into that unknown territory: his wife, three of his children, his uncle, cousin, and some childhood friends. Having remembered these lost, dear ones and being still some moments from death, there was time for one last act of remembrance. What he unearthed, after it had lain buried some forty years in the archaeology of his mind, was a rook.

  Let me explain:

  Will Bellman was ten years and four days old and the glory of his birthday was still fresh in his veins. He and his friends were in the fields that ran between the river and the woods, fields where the rooks descended, flapping and swooping, to jab robustly at the ground in search of grubs. Charles, inheritor-in-waiting of Bellman’s mill, was Will’s cousin. Their fathers were brothers—and though that sounds simple, it wasn’t. Fred was the eldest son of the baker. His mother was from dairy people. He was said to be the best-fed boy in Whittingford, and he certainly looked as though he had been weaned on bread and cream. He had white teeth and solid flesh over his strong bones, and he liked to talk about the bakery he would take over one day. Luke was one of the blacksmith’s offspring. There would be nothing for him to take over: his older brothers were too numerous. His bright copper hair could be seen a mile off; at least, it could when it was clean. He kept a safe distance from school. He didn’t see the point. If it was a beating you wanted, you could get it just the same at home. Unless he was exceptionally hungry he kept a safe distance from home too. When he couldn’t feed himself by scrounging, he thieved. A boy had to eat. He was passionately devoted to William’s mother, who sometimes gave him bread and cheese and once a chicken carcass to pick.

  The boys lived different lives, but something had drawn them together at the beginning of this summer and it was their age. All had been born in the same month of the same year. The power of the symbolic anniversary had acted upon them like a physical force, and as the days of August slipped by, it was not only friendship that drew them back, day after day, to these hedgerows and these fields. It was competition.

  They ran races, climbed trees, and engaged in mock battles and arm-wrestling matches. Every yard run made them faster, every upper branch attained won them a broader horizon. They egged each other on, never refused a dare, took greater and greater risks. They laughed at grazes, bruises were badges of honor and scars trophies. Every minute and every day they measured themselves against the world and each other.

  At ten years and four days old, Will was pleased with the world and with himself. He was a long way from being a man, he knew that, yet he was no longer a little boy. All summer, woken early by the stony cawing of the rooks in the trees behind his mother’s cottage, he had felt his power growing in him. He had outgrown the kitchen and the garden: fields, river, and woods were his territory now, and the sky belonged to him. He still had a lot to learn, but he knew that he would learn it as he had everything else so far in life—easily. And while he learned he could enjoy each day this new and exultant sense of mastery.

  · · ·

  “I bet I can hit that bird,” Will said now, indicating a far-off branch of a far-off tree. It was one of the oaks close to his home; the cottage itself was visible from here, half-screened by hedges.

  “You can’t!” said Luke, and immediately he called to the others, scrambling up a bank and pointing into the distance, “Will says he can hit that bird!”

  “Never!” the other pair called, but they came running to see the attempt all the same.

  The bird, a rook or a crow, was well out of range, on a branch half a field away.

  Will pulled his catapult from his belt and made a great show of searching for a stone. There was a mystique around the best missiles for catapults. A reputation for recognizing the right kind of stone was prized, and lengthy conversations were had comparing them by size, smoothness, texture, and color. Marbles were superior, of course, but rare was the boy ready to risk the loss of a marble. William’s private hunch was that any roundish, smoothish stone was as good as another, but he knew the value of mystification as well as any boy, so he took his time.

  Meanwhile it was his catapult that interested the boys. He entrusted it to his cousin while he hunted the missile. Charles handled the weapon casually at first, then, feeling its fine balance, studied it more closely. The two prongs extended from the handle in a Y shape almost too perfect to be natural. You could search an entire forest and not find a Y like that. Will had a good eye.

  Fred joined him in studying it. He frowned and the corners of his mouth turned down, as if he was inspecting a churn of disappointing butter.

  “It’s not hazel.”

  Will did not look up from his hunt. “Hazel cuts easily. But you don’t have to use it.” He had sharpened his knife, climbed, sawed patiently to excise the shape he had spotted. The elder was of an age to be strong, young enough for springiness.

  The sling was familiar: Will had reused his old one, cut from the tongue of an outgrown shoe. Lines of small, neat slits made with a sharp blade allowed the leather to be stretched so that it made a bed for a small missile. But one element of the catapult was entirely novel. At the level where the sling was attached, Will had carved shallow inch-wide grooves. In the center of each groove were tied the narrow strips of leather that attached the sling. But above and below this knot, string was wound. It lay neat in the groove, above and below the leather laces. Charles ran his fingers admiringly over it. It was deftly done, but he couldn’t see the reason for it.

  “What’s this for?”

  Luke reached out and ran an appraising finger along the winding of string. “Stops the sling riding down, does it?”

  Will shrugged. “I’m finding out. It hasn’t shifted so far.”

  Until today the boys had not known that a catapult so perfect could exist. They had always thought of catapults as things that were good or bad by the will of the gods, things of chance, of hazard. To use one was to pit your chances against fate, fifty to one you’d miss. There was nothing accidental about Will’s catapult. It had been made, fashioned, engineered.

  Luke tested the give of the leather strips. They were supple enough, but he couldn’t resist the chance to contribute something to this enviable catapult. He spat onto his fingertips and applied the wetness lovingly to the leather strips.

  By the time Will had identified the stone that satisfied him he was surprised the bird was still there. He took back his catapult and loaded it. He was adept. His eye was good, his hand steady. He practiced a lot.

  The bird was too fa
r away.

  Turning their attention from the weapon to the target the boys grinned and shook their heads. Will’s boast was so ludicrous that he was half laughing with them. But then his ten accumulated years of observation, of growth, of strength, and of power readied themselves in him and he fell deaf to the noise of his companions.

  While his eye traced the arc—the impossible arc—between missile and target, his brain calculated, calibrated, and instructed its tools. His feet shifted, his weight settled squarely, the muscles in his legs, back, shoulders prepared themselves, his fingers altered their grip minutely on the catapult and his hands tested the tension. He drew the sling back.

  At the moment he launched the stone—no, just before: it was the second when it was too late to stop it—he knew a moment of perfection. Boy, catapult, stone. Brain, eye, body. He knew certainty, and the missile was released.

  It took a long time for the stone to fly along its preordained trajectory. Or so it seemed. Time enough for William to hope that the bird, flapping into life, would rise upward from the branch. That the stone would fall harmlessly to earth and the rook’s granite laughter would taunt them from the sky.

  The black bird did not move.

  The stone reached the apex of its arc and began its descent. The boys fell silent. William was silent. The universe was still. Only the stone moved.

  There is still time, William thought. I could cry out, and startle the bird into taking off. But his tongue was thick in his mouth and the moment stretched out in time, long, slow, paralyzed.

  The stone completed its journey.

  The black bird fell.

  · · ·

  The boys stared in puzzlement at the empty branch. Had it happened? It can’t have! But they’d seen it . . . Three heads turned as one to stare at Will. His gaze was fixed on the branch where the bird had been. He was still seeing it fall, trying to make sense of it.

  Fred broke the silence with a great bellow, and three boys went haring over the field in the direction of the tree, Luke stumbling over the tree roots and furrows, always the last. Belatedly William ran too. He came upon them crouching under the tree. They shuffled and shifted to make room for him to see.

  There, on the grass: the bird. A rook. Juvenile, still black of beak.

  It was true, then. He had done it.

  He felt something move in his chest, as though an organ had been removed and something unfamiliar left in its place. A sentiment he had never suspected the existence of bloomed in him. It traveled from his chest along his veins to every limb. It swelled in his head, muffled his ears, stilled his voice, and collected in his feet and fingers. Having no language for it, he remained silent, but felt it root, become permanent.

  “We could bury it.” That was Charles. “A ceremony.”

  The idea of a ritual to mark the extraordinary event found favor. But before they could agree what to do, with a tentativeness that provoked laughter, Luke took hold of the tip of a wing and gently splayed it. A ray of light breaking through the foliage fell upon the dead creature and the black was suddenly not black: inky shades of blue, purple, and green were released. This was color that did not behave as color should. It shifted and shimmered, alive with vividness that played tricks on the eye and the mind. Every boy wondered for a moment whether perhaps the bird was not dead after all—but it was. Of course.

  The boys murmured and once again turned to look at Will. This beauty too belonged to him.

  Emboldened, Luke picked the bird up.


  He lunged the cadaver toward Fred, toward Charles—not in Will’s direction—and the two boys stumbled back, exclaiming in alarm, laughing with relief. Then it was Fred who larked about with the dead creature, manipulating its wings, imitating flight, cawing and croaking with gusto. Will laughed weakly. There was the aftermath of turbulence inside him. His lungs were tired.

  Before long Fred found something unpleasant in the slackness of the small body. They all did. It was the limp hang of the head, the way the feathers would not go back into place. In disgust Fred tossed the body away.

  All thought of a burial was now forgotten and they turned their attention from the bird to the stone that had killed it. That stone had a value now. They spent a long time looking, picking up one round pebble after another.

  “Too big,” they agreed.

  “Wrong color.”

  “It didn’t have that mark, there.”

  The stone would not be found. Having accomplished its miracle it had divested itself of its uniqueness and was lying somewhere about indistinguishable from any number of similar stones.

  In any case, Charles suggested, and for once they all agreed, it wasn’t really the stone. It was Will who had done it.

  They told and retold the story, acted it out for each other. With imaginary catapults they killed whole parishes of imaginary rooks.

  Will stood by. Like any ten-year-old hero, he took more than his fair share of teasing and shoving. He smiled, sick at heart, proud, abashed, guilty. He grinned and shoved back without conviction.

  The sun sank low and the sky cooled. Autumn was coming, and they were hungry. It was time to go home. The boys parted.

  Will lived closest, in only a few minutes he would be in his mother’s kitchen.

  On the brow of a bank of earth something prompted him to turn around. He looked back to where the bird had fallen. In the few minutes since the boys had left the place, rooks had come. They circled above the oak, fifteen or twenty of them. More were arriving from all directions. They stretched across the sky, loose skeins of dark marks, converging on this place. One by one they descended to alight in the branches of the tree. Ordinarily such a congregation would be accompanied by the noise of stony chatter as the birds flung sound at each other like gravel. This gathering was different: it took place in intent and purposeful silence.

  Every bird on every branch was looking in his direction.

  Will leapt off the bank and raced home, faster than he had ever run before. When he had the door handle in his grasp he dared to look behind him. The sky was empty. He stared at the branches of the tree, but at this distance and with the late sun in his eyes it was hard to know whether he was seeing rooks or foliage. Perhaps he had imagined that many-eyed stare.

  For a moment he thought one of his friends had returned to the oak. A boy, standing where he had stood in the shadow of the oak. But the figure was too short to be Charles, too slim to be Fred, and had not Luke’s red hair. Besides, unless it was an effect of light and shade, the boy was clad in black.

  With the next blink, the boy was gone, on his way home through the woods, probably.

  Will turned the doorknob and went inside.

  “What’s got into you?” his mother wanted to know.

  · · ·

  William was quiet that evening and his mother thought him pale. Her questions elicited little in the way of answers and she understood that her boy was old enough to have secrets now.

  “Just think. In a week’s time you’ll be away at school with Charles.”

  He leaned surreptitiously into her side when she stood by him to pour his soup and when she put an arm around him he lingered instead of reminding her that he was ten now. Was her fearless boy nervous of leaving her for Oxford? That night, although it was not cold, she warmed his bed and left his candle burning. When she came to kiss him an hour later she stood and watched his sleeping face. How pale he looked. Was he really her son? Children changed so quickly.

  Only ten and I am losing him, she thought. And then, with a pang, Unless perhaps I have lost him already.

  The next day William woke with a fever. For half a week he stayed in bed being tended to by his mother. During this time, while his blood grew warmer and warmer and he sweated and cried out in pain, William applied his ten-year-old genius and power to the greatest feat he had ever attempted: forgetting.

  He very largely succeeded.


  A rook is a familiar
enough creature until you actually look at him.

  His plumage is among the most extravagantly beautiful things nature can produce. As the boys saw that day, a rook’s feathers can shimmer with dazzling peacock colors yet factually speaking there is no blue or purple or green pigment in a rook. Satin black on his back and head, on his front and toward his legs, his blackness softens and deepens to velvet black. He is not just black, he is blacker than that. His is a luxurious superabundance of blackness never seen in any other creature. He is the essence of blackness.

  So whence the glorious color?

  Well, the rook is something of a magician. His black feathers are capable of producing an entrancing optical effect.

  “Aha!” you say. “So it is only an illusion.”

  Far from it. The rook is no theatrical conjuror with his top hat full of tricks, deluding your eye into perceiving what is not. He is quite the opposite: a magician of the real. Ask your eyes, What color is light? They cannot tell you. But a rook can. He captures the light, splits it, absorbs some, and radiates the rest in a delightful demonstration of optics, showing you the truth about light that your own poor eyes cannot see.

  Nor is this spellbinding display of flamboyance the only trick he has concealed in his feathers. Though it is exceedingly rare, a handful of witnesses have seen this spectacle: on a bright summer’s day, turning into the sun, a rook alters from black to angelic white. Mirror-bright he dazzles and glories in his whiteness.

  Given his beauty and the dramatic and magical alterations he can bring about in his appearance, you might wonder why the rook is to be found in common fields, grubbing for larvae. Why are these supreme creatures not owned by princesses, housed in gilded aviaries, fed dainty morsels from silver trays by liveried servants? Why do they spend their time with cows when they are surely the more natural companions to unicorns, griffins, and dragons?

  The answer is that the rook lives as he wishes. When he wants the entertainment of human company he is more likely to seek out the drunken poet or the wild-eyed crone than a damsel with a coronet. He is partial to a bit of dragon liver or unicorn tongue when he can get it though, and he wouldn’t refuse griffin flesh if it came his way.

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