Island

  "Dr. MacPhail told me something about. . . about what happened to your husband."

  The words turned a sword in her heart; but that was to be expected, that was right and inevitable. "It'll be four months next Wednesday," she said. And then, meditatively, "Two people," she went on after a little silence, "two separate individuals—but they add up to something like a new creation. And then suddenly half

  117

  of this new creature is amputated; but the other half doesn't die—can't die, mustn't die."

  "Mustn't die?"

  "For so many reasons—the children, oneself, the whole nature of things. But needless to say," she added, with a little smile that only accentuated the sadness in her eyes, "needless to say the reasons don't lessen the shock of the amputation or make the aftermath any more bearable. The only thing that helps is what we were talking about just now—Destiny Control. And even that..." She shook her head. "DC can give you a completely painless childbirth. But a completely painless bereavement—no. And of course that's as it should be. It wouldn't be right if you could take away all the pain of a bereavement; you'd be less than human."

  "Less than human," he repeated. "Less than human ..." Three short words; but how completely they summed him up! "The really terrible thing," he said aloud, "is when you know it's your fault that the other person died."

  "Were you married?" she asked.

  "For twelve years. Until last spring ..."

  "And now she's dead?"

  "She died in an accident."

  "In an accident? Then how was it your fault?"

  "The accident happened because . . . well, because the evil t hat I didn't want to do, I did. And that day it came to a head. The hurt of it confused and distracted her, and I let her drive away in the car—let her drive away into a head-on collision."

  "Did you love her?"

  He hesitated for a moment, then slowly shook his head.

  "Was there somebody else—somebody you cared for more?"

  "Somebody I couldn't have cared for less." He made a grimace of sardonic self-mockery.

  "And that was the evil you didn't want to do, but did?"

  118 Island

  "Did and went on doing until I'd killed the woman I ought to have loved, but didn't. Went on doing it even after I'd killed her, even though I hated myself for doing it—yes, and really hated the person who made me do it."

  "Made you do it, I suppose, by having the right kind of body?"

  Will nodded, and there was a silence.

  "Do you know what it's like," he asked at length, "to feel that nothing is quite real-—including yourself?"

  Susila nodded. "It sometimes happens when one's just on the point of discovering that everything, including oneself, is much more real than one ever imagined. It's like shifting gears: you have to go into neutral before you change into high."

  "Or low," said Will. "In my case, the shift wasn't up, it was down. No, not even down; it was into reverse. The first time it happened I was waiting for a bus to take me home from Fleet Street. Thousands upon thousands of people, all on the move, and each of them unique, each of them the center of the universe. Then the sun came out from behind a cloud. Everything was extraordinarily bright and clear; and suddenly, with an almost audible click, they were all maggots."

  "Maggots?"

  "You know, those little pale worms with black heads that one sees on rotten meat. Nothing had changed, of course; people's faces were the same, their clothes were the same. And yet they were all maggots. Not even real maggots—just the ghosts of maggots, just the illusion of maggots. And I was the illusion of a spectator of maggots. I lived in that maggot world for months. Lived in it, worked in it, went out to lunch and dinner in it—all without the least interest in what I was doing. Without the least enjoyment or relish, completely desireless and, as I discovered when I tried to make love to a young woman I'd had occasional fun with in the past, completely impotent."

  "What did you expect?"

  119

  "Precisely that."

  "Then why on earth . . . ?"

  Will gave her one of his flayed smiles and shrugged his shoulders. "As a matter of scientific interest. I was an entomologist investigating the sex life of the phantom maggot."

  "After which, I suppose, everything seemed even more unreal."

  "Even more," he agreed, "if that was possible."

  "But what brought on the maggots in the first place?"

  "Well, to begin with," he answered, "I was my parents' son. By Bully Boozer out of Christian Martyr. And on top of being my parents' son," he went on after a little pause, "I was my aunt Mary's nephew."

  "What did your aunt Mary have to do with it?"

  "She was the only person I ever loved, and when I was sixteen she got cancer. Off with the right breast; then, a year later, off with the left. And after that nine months of X rays and radiation sickness. Then it got into the liver, and that was the end. I was rhere from start to finish. For a boy in his teens it was a liberal education—but liberal."

  "In what?" Susila asked.

  "In Pure and Applied Pointlessness. And a few weeks after i he close of my private course in the subject came the grand opening of the public course. World War II. Followed by the nonstop refresher course of Cold War I. And all this time I'd been wanting to be a poet and finding out that I simply don't have what it takes. And then, after the war, I had to go into journalism to make money. What I wanted was to go hungry, if necessary, but try to write something decent—good prose at least, seeing that it couldn't be good poetry. But I'd reckoned without those darling parents of mine. By the time he died, in lanuary of 'forty-six, my father had got rid of all the little money our family had inherited and by the time she was blessedly a widow, my mother was crippled with arthritis and had to be sup-

  120 Island

  ported. So there I was in Fleet Street, supporting her with an ease and a success that were completely humiliating."

  "Why humiliating?"

  "Wouldn't you be humiliated if you found yourself making money by turning out the cheapest, flashiest kind of literary forgery? I was a success because I was so irremediably second-rate."

  "And the net result of it all was maggots?"

  He nodded. "Not even real maggots: phantom maggots. And here's where Molly came into the picture. I met her at a high-class maggot party in Bloomsbury. We were introduced, we made some politely inane conversation about nonobjective painting. Not wanting to see any more maggots, I didn't look at her; but she must have been looking at me. Molly had very pale gray-blue eyes," he added parenthetically, "eyes that saw everything—she was incredibly observant, but observed without malice or censoriousness, seeing the evil, if it was there, but never condemning it, just feeling enormously sorry for the person who was under compulsion to think those thoughts and do that odious kind of thing. Well, as I say, she must have been looking at me while we talked; for suddenly she asked me why I was so sad. I'd had a couple of drinks and there was nothing impertinent or offensive about the way she asked the question; so I told her about the maggots. 'And you're one of them,' I finished up, and for the first time I looked at her. 'A blue-eyed maggot with a face like one of the holy women in attendance at a Flemish crucifixion.' "

  "Was she flattered?"

  "I think so. She'd stopped being a Catholic; but she still had a certain weakness for crucifixions and holy women. Anyhow, next morning she called me at breakfast time. Would I like to drive down into the country with her? It was Sunday and, by a miracle, fine. I accepted. We spent an hour in a hazel copse, picking primroses and looking at the little white windflowers. One doesn't pick the windflowers," he explained, "because in an hour

  121

  they're withered. I did a lot of looking in that hazel copse— looking at flowers with the naked eye and then looking into them through the magnifying glass that Molly had brought with her. I don't know why, but it was extraordinarily therapeutic— just looking into the hearts of primroses
and anemones. For the rest of the day I saw no maggots. But Fleet Street was still there, waiting for me, and by lunchtime on Monday the whole place was crawling with them as thickly as ever. Millions of maggots. But now I knew what to do about them. That evening I went to Molly's studio."

  "Was she a painter?"

  "Not a real painter, and she knew it. Knew it and didn't resent it, just made the best of having no talent. She didn't paint for art's sake; she painted because she liked looking at things, liked the process of trying meticulously to reproduce what she saw. That evening she gave me a canvas and a palette, and told me to do likewise." "And did it work?"

  "It worked so well that when a couple of months later I cut open a rotten apple, the worm at its center wasn't a maggot— not subjectively, I mean. Objectively, yes; it was all that a maggot should be, and that's how I portrayed it, how we both portrayed it—for we always painted the same things at the same time."

  "What about the other maggots, the phantom maggots outside the apple?"

  "Well, I still had relapses, especially in Fleet Street and at cocktail parties; but the maggots were definitely fewer, definitely less haunting. And meanwhile something new was happening in the studio. I was falling in love—falling in love because love is catching and Molly was so obviously in love with me—why, God only knows."

  "I can see several possible reasons why. She might have loved you because . . ." Susila eyed him appraisingly and smiled. "Well, because you're quite an attractive kind of queer fish."

  122

  Island

  He laughed. "Thank you for a handsome compliment."

  "On the other hand," Susila went on, "(and this isn't quite so complimentary), she might have loved you because you made her feel so damned sorry for you."

  "That's the truth, I'm afraid. Molly was a born Sister of Mercy."

  "And a Sister of Mercy, unfortunately, isn't the same as a Wife of Love."

  "Which I duly discovered," he said.

  "After your marriage, I suppose."

  Will hesitated for a moment. "Actually," he said, "it was before. Not because, on her side, there had been any urgency of desire, but only because she was so eager to do anything to please me. Only because, on principle, she didn't believe in conventions and was all for freely loving, and more surprisingly" (he remembered the outrageous things she would so casually and placidly give utterance to even in his mother's presence) "all for freely talking about that freedom."

  "You knew it beforehand," Susila summed up, "and yet you still married her."

  Will nodded his head without speaking.

  "Because you were a gentleman, I take it, and a gentleman keeps his word."

  "Partly for that rather old-fashioned reason, but also because I was in love with her."

  " Were you in love with her?"

  "Yes. No, I don't know. But at the time I did know. At least I thought I knew. I was really convinced that I was really in love with her. And I knew, I still know, why I was convinced. I was grateful to her for having exorcised those maggots. And besides the gratitude there was respect. There was admiration. She was so much better and honester than I was. But unfortunately, you're right: a Sister of Mercy isn't the same as a Wife of Love.

  123

  But I was ready to take Molly on her own terms, not on mine. I was ready to believe that her terms were better than mine."

  "How soon," Susila asked, after a long silence, "did you start having affairs on the side?"

  Will smiled his flayed smile. "Three months to the day after our wedding. The first time was with one of the secretaries at the office. Goodness, what a bore! After that there was a young painter, a curlyheaded little Jewish girl whom Molly had helped with money while she was studying at the Slade. I used to go to her studio twice a week, from five to seven. It was almost three years before Molly found out about it."

  "And, I gather, she was upset?"

  "Much more than I'd ever thought she'd be."

  "So what did you do about it?"

  Will shook his head. "This is where it begins to get complicated," he said. "I had no intention of giving up my cocktail hours with Rachel; but I hated myself for making Molly so unhappy. At the same time I hated her for being unhappy. I resented her suffering and the love that had made her suffer; I felt that they were unfair, a kind of blackmail to force me to give up my innocent fun with Rachel. By loving me so much and being so miserable about what I was doing—what she really forced me to do—she was putting pressure on me, she was trying to restrict my freedom. But meanwhile she was genuinely unhappy; and though I hated her for blackmailing me with her unhappiness, I was filled with pity for her. Pity," he repeated, "not compassion. Compassion is suffering-with, and what I wanted at all costs was to spare myself the pain her suffering caused me, and avoid the painful sacrifices by which I could put an end to her suffering. Pity was my answer, being sorry for her from the outside, if you see what I mean—sorry for her as a spectator, an aesthete, a connoisseur in excruciations. And this aesthetic pity of mine was so intense, every time her unhappiness

  124 Island

  came to a head, that I could almost mistake it for love. Almost, but never quite. For when I expressed my pity in physical tenderness (which I did because that was the only way of putting a temporary stop to her unhappiness and to the pain her unhappi-ness was inflicting on me), that tenderness was always frustrated 'i; before it could come to its natural consummation. Frustrated because, by temperament, she was only a Sister of Mercy, not a wife. And yet, on every level but the sensual, she loved me with a total commitment—a commitment that called for an answering commitment on my part. But I wouldn't commit myself, maybe I genuinely couldn't. So instead of being grateful for her self-giving, I resented it. It made claims on me, claims that I refused to acknowledge. So there we were, at the end of every crisis, back at the beginning of the old drama—the drama of a love incapable of sensuality self-committed to a sensuality incapable of love and evoking strangely mixed responses of guilt and exasperation, of pity and resentment, sometimes of real hatred (but always with an undertone of remorse), the whole accompanied by, contra- puntal to, a succession of furtive evenings with my little curly-headed painter."

  "I hope at least they were enjoyable," said Susila.

  He shrugged his shoulders. "Only moderately. Rachel could never forget that she was an intellectual. She had a way of asking what one thought of Piero di Cosimo at the most inopportune moments. The real enjoyment and of course the real agony—I never experienced them until Babs appeared on the scene."

  "When was that?"

  "Just over a year ago. In Africa."

  "Africa?"

  "I'd been sent there by Joe Aldehyde."

  "That man who owns newspapers?"

  ""And, all the rest. He was married to Molly's aunt Eileen. An exemplary family man, I may add. That's why he's so serenely

  125

  convinced of his own righteousness, even when he's engaged in the most nefarious financial operations."

  "And you're working for him?"

  Will nodded. "That was his wedding present to Molly—a job for me on the Aldehyde papers at almost twice the salary I'd been getting from my previous employers. Princely! But then he was very fond of Molly."

  "How did he react to Babs?"

  "He never knew about her—never knew that there was any reason for Molly's accident."

  "So he goes on employing you for your dead wife's sake?"

  Will shrugged his shoulders. "The excuse," he said, "is that I have my mother to support."

  "And of course you wouldn't enjoy being poor."

  "I certainly wouldn't."

  There was a silence.

  "Well," said Susila at last, "let's get back to Africa."

  "I'd been sent there to do a series on Negro Nationalism. Not to mention a little private hanky-panky in the business line lor Uncle Joe. It was on the plane, flying home from Nairobi. I found myself sitting next to her."

 
; "Next to the young woman you couldn't have liked less?"

  "Couldn't have liked less," he repeated, "or disapproved of more. But if you're an addict you've got to have your dope—the dope that you know in advance is going to destroy you."

  "It's a funny thing," she said reflectively, "but in Pala we have liardly any addicts."

  "Not even sex addicts?"

  "The sex addicts are also person addicts. In other words, they're lovers."

  "But even lovers sometimes hate the people they love."

  "Naturally. Because I always have the same name and the same nose and eyes, it doesn't follow that I'm always the same

  126 Island

  woman. Recognizing that fact and reacting to it sensibly—that's part of the Art of Loving."

  As succinctly as he could, Will told her the rest of the story. It was the same story, now that Babs had come on the scene, as it had been before—the same but much more so. Babs had been Rachel raised, so to speak, to a higher power—Rachel squared, Rachel to the rath. And the unhappiness that, because of Babs, he had inflicted upon Molly was proportionately greater than anything she had had to suffer on account of Rachel. Proportionately greater, too, had been his own exasperation, his own resentful sense of being blackmailed by her love and suffering, his own remorse and pity, his own determination, in spite of the remorse and the pity, to go on getting what he wanted, what he hated himself for wanting, what he resolutely refused to do without. And meanwhile Babs had become more demanding, was claiming ever more and more of his time—time not only in the strawberry-pink alcove, but also outside, in restaurants, and nightclubs, at her horrible friends' cocktail parties, on weekends in the country. "Just you and me, darling," she would say, "all alone together." All alone together in an isolation that gave him the opportunity to plumb the almost unfathomable depths of her mindlessness and vulgarity. But through all his boredom and distaste, all his moral and intellectual repugnance, the craving persisted. After one of those dreadful weekends, he was as hopelessly a Babs addict as he had been before. And on her side, on her own Sister-of-Mercy level, Molly had remained, in spite of everything, no less hopelessly a Will Farnaby addict. Hopelessly so far as he was concerned—for his one wish was that she should love him less and allow him to go to hell in peace. But, so far as Molly herself was concerned, the addiction was always and irre-pressibly hopeful. She never ceased to expect the transfiguring miracle that would change him into the kind, unselfish, loving Will Farnaby whom (in the teeth of all the evidence, all the repeated disappointments) she stubbornly insisted on regarding